مشاهده بیشتر: نظریه تخیل کانت [کتاب انگلیسی] | کتابخانه مجازی الفبا

Table of contents :
Cover
Seeing More: Kant’s Theory of Imagination
Copyright
Dedication
Contents
Acknowledgments
Citation Notes
Abbreviations
Preface
Introduction
0.1 The Unity Question
0.2 The Taxonomy Question
0.3 The Use Question
0.3.1 The Epistemic/Theoretical Use
0.3.2 The Aesthetic Use
0.3.3 The Practical Use
0.4 The Plan for the Book
PART I: IMAGINATION IN GENERAL
1: Imagination as a Cognitive Capacity
1.1 Introduction
1.2 Imagination and the Faculty of Cognition
1.3 Kant’s Theory of Cognition
1.4 Sensibility and Understanding
1.5 Conclusion
2: Imagination and the Two Stems of Cognition
2.1 Introduction
2.2 The Third Thing View of Imagination
2.3 The Sensibility View of Imagination
2.4 The Understanding View of Imagination
2.5 Conclusion
3: Imagination Is Part of Sensibility
3.1 Introduction
3.2 The Bipartite Structure of Sensibility
3.3 The Intuitions of Sensibility
3.4 The Processes of Sensibility
3.4.1 The Process of Sensing
3.4.2 The Process of Imagining
3.4.2(a) Imaginative Activity and Intuitionsi
3.4.2(b) The Metaphysics of Imagining
3.5 The Cognitive Function of Sensibility
3.6 The Sensibility View of Imagination, Redux
3.7 Conclusion
4: Three Definitions of Imagination
4.1 Introduction
4.2 The Formation Definition
4.3 The Even-Without-Presence Definition
4.4 The Exhibition Definition
4.4.1 Exhibition in General
4.4.2 Exhibition Is an Imaginative Activity
4.5 Conclusion
PART II: IMAGINATION IN PERCEPTION AND EXPERIENCE
5: Empirical Imagination in Perception and Experience
5.1 Introduction
5.2 The Three Stages of Experience
5.3 Imagination Is a Necessary Ingredient of Perception
5.3.1 Perception
5.3.2 Perceptual Images
5.3.3 Synthesis and Perceptual Images
5.3.4 Perception and Schematism
5.3.4(a) Schemata
5.3.4(b) Schemata in Perception
5.4 The Sense and Imagination Stages of Experience
5.5 The Imagination and Understanding Stages of Experience
5.6 Conclusion
6: A Priori Imagination and the Conditions of Experience I: The Transcendental Deduction
6.1 Introduction
6.2 The Radical Interpretation of Imagination as the Source of Space and Time
6.3 Pure Intuitions: Given and Made
6.4 Given and Made Pure Intuitions in the B Deduction
6.5 The Footnote and Figurative Synthesis
6.5.1 “The Understanding Determines Sensibility”
6.5.2 “Belongs to Space and Time”
6.5.3 “Precedes All Concepts”
6.6 Imagination and the Possibility of Experience
6.7 Conclusion
7: A Priori Imagination and the Conditions of Experience II: The Schematism
7.1 Introduction
7.2 The Schematism as an Elaboration of the Transcendental Deduction
7.2.1 From Figurative Synthesis and Formal Intuitions to Transcendental Schematism and Transcendental Schemata
7.2.2 Imagination and the Possibility of Experience from the Deduction to the Schematism
7.3 The Schemata of the Mathematical Categories as Conditions of Perception
7.3.1 The Schemata of the Categories of Quantity
7.3.2 The Schemata of the Categories of Quality
7.4 The Schemata of the Dynamical Categories of Relation as Conditions of Experience
7.5 Conclusion
PART III: IMAGINATION IN AESTHETICS
8: Imagination and the Appreciation of Beauty
8.1 Introduction
8.2 Judgments of the Beautiful and Free Play
8.3 The Cognitive Dimensions of Imagination in Free Play
8.4 The Creative Dimensions of Imagination in Free Play
8.4.1 The Negative Freedom of Imagination
8.4.2 The Positive Freedom of Imagination
8.5 Conclusion
9: Artistic Imagination
9.1 Introduction
9.2 Kant on Artistic Production
9.3 The Cognitive Dimension of Artistic Imagination
9.4 The Creative Dimension of Artistic Imagination
9.4.1 The Negative Freedom of Artistic Imagination
9.4.2 The Positive Freedom of Artistic Imagination
9.5 Conclusion
10: Imagination and the Sublime
10.1 Introduction
10.2 Judgments of the Sublime
10.3 The Failure of Imagination in the Sublime
10.3.1 Imaginative Failure in the Mathematical Sublime
10.3.2 Imaginative Failure in the Dynamical Sublime
10.4 The Elevation of Imagination in the Sublime
10.5 Conclusion
PART IV: IMAGINATION IN PRACTICALAGENCY AND MORALITY
11: The Possibility of Moral Imagination
11.1 Introduction
12: Imaginative Sight and the Faculty of Desire
12.1 Introduction
12.2 The Faculty of Desire
12.3 Seeing More and the Faculty of Desire
12.4 Imagination and the Pursuit of Happiness
12.5 Imagination and the Categorical Imperative
12.6 Conclusion
13: Imaginative Exhibition in Morality
13.1 Introduction
13.2 The Limits of Imaginative Exhibition Worry
13.3 The Indirect Exhibition of Moral Concepts through Beauty, Art, and Sublimity
13.4 The Direct Exhibition of Moral Ideas through Moral Ideals
13.5 Direct Exhibition through Moral Examples
13.5.1 Moral Examples in Kant’s Writings
13.5.2 Moral Examples in Education
13.5.3 Moral Examples in Perception
13.6 Conclusion
Conclusion
Bibliography
Index