هنر به مثابه مسیری به سوی خدا: مطالعه تاریخی-الهیاتی درباره مأموریت یسوعی به چین، 1552-1773 [کتاب انگلیسی] | کتابخانه مجازی الفبا

Table of contents :
Contents
Acknowledgments
Maps and Figures
Maps
Figures
Abbreviations
General Abbreviations
1 History, Theology, and Art in Cross-Cultural Mission
1 Why Study Art and Mission?
2 Overview of Chapters
3 Theoretical Framework
3.1 Art as a Historical Source
3.2 Art as a Source of Theology
3.3 Art as a Cultural Source
4 Research Methodology
4.1 Works of Art from Art Museums and Historical Sites
4.2 Manuscripts and Archival Sources
5 Scope
2 The Jesuits and Christian Art in China
1 Christian Art and Architecture in China
1.1 Nestorian Art and Architecture in the Tang Dynasty
1.2 Nestorians and Franciscan Art in the Yuan Dynasty
1.3 Christian Art in the Early Ming Dynasty
2 Jesuit Motivation for Using Art in Mission
2.1 A Brief History and Theology of Art in the Catholic Tradition
2.2 Theology of Art during the Reformation in Europe
2.2.1 Protestant Impact on Catholic Art
2.2.2 The Jesuits’ Role in the Catholic Reformation
2.3 Jesuit Theology of Art
2.3.1 Art as a Way of Contemplation
2.3.2 From Profane to Sacred
2.3.3 Art in Jesuit Catechisms
2.3.4 Art as a Pathway to God
3 Jesuit Mission and Art in the Late Ming Dynasty (1552–1644)
1 The Intercultural Theological Foundation
2 The Jesuit Missionaries and Their Use of Art
2.1 Transporting Christian Art from Europe
2.2 Art, Curiosity, and Faith
2.3 Art and Theology in Jesuit Catechisms
3 Jesuit Church Architecture and Mission
3.1 A Global-Local Synthesis
3.2 From Buddhist Temples to Christian Churches
3.3 Chinese Temple-Styled Churches
4 The Cultural and Theological Meaning of Jesuit Art
4.1 Art in Service of Mission
4.2 Cultural Accommodation or Intercultural Exchange
4.3 Hybridity and the Global Network
4.4 Christo-Centric and Theologically Focused Art
4.4.1 Theology of the Cross
4.4.2 Theology of Suffering
4 Asian Christians and Art in the Late Ming Dynasty (1552–1644)
1 Late Ming Seeing and Believing
1.1 Have You Any Art of Your God?
1.2 Idols to Feed the Worms and Fire
1.3 Christian Art in the Ming Imperial Palace
1.4 Rediscovering Nestorian Christianity
1.5 Christian Motifs in Ming Artistic Forms
1.6 Christian Ivories from Manila
2 Changing Faith and Art
2.1 Spontaneous and Systematic Changes
2.2 Christian Men and Women as Patrons of Art
2.3 Chinese, Japanese, and Vietnamese Artists in Macau
2.4 Chinese Jesuits and Missionaries
2.5 Ming House Churches
5 European Jesuits and Art in the Early Qing Dynasty (1644–1773)
1 Jesuit Artist-Missionaries in the Qing Court
1.1 Seven Artist-Missionaries and Their Faithful Service
1.2 Cultural Synthesis and Hybridity in Art
2 The Jesuit Commissioning of Art
2.1 Christian Iconography on Chinese Porcelain
2.2 Christian Catechetical Books
2.3 Jesuit Church Architecture
2.3.1 Jesuit Churches in Beijing
2.3.2 Jesuit Churches in Sichuan
2.3.3 Jesuit Churches in Jiangnan
2.3.4 Jesuit Churches in Guizhou
2.3.5 Jesuit Churches in Ningbo
3 Characteristics of Jesuit Art and Mission
3.1 To the Greater Glory of God
3.2 Mission in the Context of Reception and Opposition
3.3 Jesuit “Bottom-Up” Mission Methodology
3.4 The Notion of Change in Jesuit Mission
6 Asian Christians and Art in the Early Qing Dynasty (1644–1773)
1 Chinese Jesuits and Art
1.1 Wu Li: Painter and Jesuit Priest
1.2 Christian Works of Art
2 Ethnic Minority Christians and Art
2.1 Manchu Christians in Beijing
2.2 The Conversion of a Korean Prince in Beijing
2.3 Tibetan Church
3 Unique Characteristics of the Churches
3.1 Women’s Churches
3.2 Christian and Non-Christian Patrons of Jesuit Churches
4 Theology Revealed through Art
4.1 Jesus with Shoes: Chinese Intercultural Adaptation
4.2 Theology of Space
5 Influence on and from Society
Conclusion
1 Implications and Further Research
2 Implications of the Research
2.1 Historical Implications
2.2 Theological Implications
2.2.1 Via Positiva
2.2.2 Theology of the Divine Revelation
2.2.3 Art and Witness
2.2.4 Art and Soteriology
2.3 Missiological Implications of Art in Mission
2.3.1 The Complexity of Intercultural Métissage
2.3.2 Four Questions for Art in Mission Today
2.3.3 Redemptive Art
2.4 A Theology of Art
2.5 Art and Mission
3 Further Research
Appendices
A Glossary of Terms and Names
B Timeline of Dynasties in China
C History of Christian Art in the Catholic Tradition Prior to the Sixteenth-Century
D History of Christian Art in China Prior to 1552
E List of Art Involved with Jesuit China Mission in the Late Ming Dynasty (1552–1644)
F List of Art and Artist in the Jesuit Mission in the Early Qing Dynasty (1644–1773)
G Church Buildings Chart
H Museums Visited for Research (42)
I Churches and Historical Sites Visited (98)
J Maps
Glossary
Bibliography
Primary Sources
Secondary Sources
Index