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            <title>الهیات، وحشت و داستان: خوانشی از قرن نوزدهم گوتیک [کتاب انگلیسی]</title>
            
            
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                    <title>Theology, Horror and Fiction: A Reading of the Gothic Nineteenth Century</title>
                    
                    
                    
                </titleInfo>
            
        
                <subject>
                    <topic>دین و هنر</topic>
                </subject>
        
                <subject>
                    <topic>الهیات مسیحی</topic>
                </subject>
        
                <subject>
                    <topic>الهیات جدید مسیحی</topic>
                </subject>
        
                <subject>
                    <topic>ادبیات</topic>
                </subject>
        
        
                <language>
                    <languageTerm type="text"  authority="iso639-2b">English</languageTerm>
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            <publisher>Bloomsbury Academic</publisher>
            <dateIssued>2021</dateIssued>
            
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        <note>  </note>
        
        <tableOfContents>Table of contents :,Title Page,Copyright Page,Contents,Acknowledgements,Introduction: Gothic and religion and theology,The absence of the theological in Gothic criticism,Outline of the argument: Chapter by chapter,Chapter 1: Monstrosity and the problem of evil: A theologico-literary understanding of personhood in Frankenstein and Paradise Lost,Chapter 2: ‘Sinners in the hands of an angry God’: Gothic revelation and monstrous theology in the Gothic’s Calvinist legacy,Chapter 3: Gothic writing and political theology: Wuthering Heights and Jane Eyre as theological texts,Wuthering Heights, religious tensions, theology and grace,Jane Eyre as social theology,Chapter 4: ‘Through a glass darkly’: Reading the Victorian ghost story theologically,Chapter 5: The limitations of materialism: Fin-de-si&#232;cle Gothic, sin and subjectivity and the insufficiency of degeneration,Jekyll and Hyde – the law and the divided self: Fractured subjectivity and theology,Oscar Wilde, decadence, sin and The Picture of Dorian Gray,Dracula, iconography, sacramentality and purification,Conclusion: Through the Gothic castle, back to theology,Bibliography,Index</tableOfContents>
        
        <typeOfResource>text</typeOfResource>
        
        
        
                <name  type="personal">
                    <namePart>Greenaway, Jonathan </namePart>
                    
                    
                    
                    
                    <role>   <roleTerm type="text">Author</roleTerm></role>
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                <name  type="corporate">
                    <namePart>Jonathan Greenaway</namePart>
                    
                    
                    
                    
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                <genre authority="marcgt">book</genre>
           
        
        

        
                <identifier type=" isbn">9781501351785</identifier>
           

        

        
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            <recordCreationDate encoding="w3cdtf">1401-09-07</recordCreationDate>
            <recordChangeDate encoding="w3cdtf">1402-03-24</recordChangeDate>
            
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