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                <dc:title>مرلوپونتی: هستی شناسی خیالی [کتاب انگلیسی]</dc:title>
                
                        <dc:title>Merleau-Ponty: An Ontology of the Imaginary (Contributions to Phenomenology, 134) [2024 ed.]</dc:title>
                    

                
                
                        <dc:subject>موریس مرلوپونتی</dc:subject>
                
                    

                
                        <dc:language>English</dc:language>
                    

                <dc:publisher>Springer Netherlands</dc:publisher>
                <dc:date>2024</dc:date>
                <dc:description>  </dc:description>
                
                <dc:description>Table of contents :,Preface,The Imaginary in Merleau-Ponty’s Work: A Secret (ec)center of Gravity,Can the Imaginary Become an Ontological Principle?,With and Beyond Merleau-Ponty: Philosophy and Its Shadow,Husserl and Merleau-Ponty Toward the Ontology of the Imaginary,Irony and Provocation in Merleau-Ponty’s Method: Ethical, Political, and Environmental Stakes,Note on the Translation,Acknowledgments,Contents,Abbreviations,Chapter 1: Introduction,Part I: The Husserlian Legacy and the Initial Motivations of Merleau-Ponty’s Thought: Crisis of Rationality, Oneiric World, and Risk of Madness,Chapter 2: Introduction: Crisis and Imaginary,Chapter 3: The Modern Crisis,Chapter 4: Husserl’s Greatest Discovery According to Merleau-Ponty: The Heraclitean Flow, Between Reason and Unreason,The Logos of the Aesthetic World,Why Retain the Notion of Sensible Flow?,The Flow of Adumbrations or Diacritical Flow: A Floating Sense,Essences Are Inseparable from Sensible Variations,The Fundamentally Magic, Glimmering, and Oneiric Dimension of the World,There Are Only Motivations: Sense Is a Drawing That Initiates a Hermeneutic Reverie,The Vertiginous Experience of the Mirror as Foundational for All Other Experiences,The Art Hidden in the Depths of the Human Soul and the Imagination of History: An Anonymous Imaginary at the Root of Sense,A Baroque World and a Problematic Reason That Is Inseparable from Unreason,Chapter 5: The Problem of Authenticity in Merleau-Ponty: Humanity and World Dissolved by the Imaginary?,Models of Authenticity Subverted by the Vertiginous Proximity of the Inauthentic,From the Phantom Limb to the Disturbing Spectral Dimension of Our Body,Manic Space as Disclosive of the Lability of Normal Space,Mind as Gestalt: A Fragile Sublimation Haunted and Threatened by Its Irrational Origin,Could Faith Be the Key to Authenticity?,The Ambiguous Miracle of Faith: The Proximity of Illusion and Perception, of Love and Theatrics,An Impossible Authenticity?,Self-Divergence and Fundamental Inauthenticity,The Irreducible Phantoms of Perception,Consciousness Is Always Mystified,Vertigo,Merleau-Ponty’s Hesitations and the Need for a Redefinition of the Imaginary to Resolve the Crisis,Part II: Imagination, Nothingness, and Inauthenticity in Sartre,Chapter 6: Introduction,Chapter 7: Consciousness Is Nothingness,Chapter 8: Image, Imagination, and Imaginary in Sartre,Chapter 9: Existence and the World: A Froth of Nothingness at the Surface of Being,Chapter 10: The Theatrics of Existence,Chapter 11: The Overcoming of the Dualism of Being and Nothingness Is Prefigured in Sartrean Philosophy,Part III: The Merleau-Pontian Definition of the Imaginary as a Particular Register of Phenomena Alongside the Real,Chapter 12: Introduction: Thematization of the Imaginary and Definition of a Broadened Reality,Chapter 13: Merleau-Ponty’s Invocations of the Sartrean Definition of the Imaginary Are Inseparable from His Critique of the Opposition Between Being and Nothingness,The Diffuse Influence of Sartre,Recourse to the Sartrean Definition of the Imaginary as a Methodological Step. Criticism of the Dualism of Being and Nothingness,Chapter 14: Merleau-Ponty’s Critique of the Sartrean Conception of the Imaginary,Chapter 15: The Genuine and Even Enhanced Presence of the Real in the Imaginary,The Flesh of the Imaginary and the Imaginary Texture of the Real,The Surexistence of the Real in the Imaginary,The Heart of Things Becoming Incandescent in the Imaginary,Is Meaning More Pregnant in Images or in Articulated Language?,Chapter 16: The Proximity Between the Merleau-Pontian Redefinition of the Imaginary and Bachelard’s Philosophy,Part IV: The Conquest of Authenticity,Chapter 17: Introduction: “Authenticity” and Poetic Depth,Chapter 18: Imaginary Love: A Necessary and Fruitful Failure. General Definition of the Imaginary as Institution,The Radical Failure of Love According to Sartre and Proust,Love According to Sartre: An Illusion Masking Conflict,Imaginary Love According to Proust,The Encounter with Others Takes Place in the Imaginary,The Authenticity of the Institution or the Fruitfulness of the Imaginary,Chapter 19: Institutions and Creative Acts of Taking-up in an “Authentic”—Deep and Poetic—Existence,The First Fruitful Institution: Mystified Consciousness,The Impossibility of Truth as Correspondence: Creation as “Fidelity” to the Real,Fidelity of Deformative-Creative Acts of Taking-up. Understanding and Poetry in Husserl,Truth and Praxis,Understanding by Struggling: The Problem of the &#234;thos of the Elements in Sartre, Bachelard, and Nietzsche,Creation Is Inseparable from a Patient Attention to Sense. Authenticity and the Art of Interpretation,Acting to Bring Sense to the Surface: Symbolic Action,Depth of Play: Reason Is a Function of Infinite Transposition at the Boundaries of Unreason,Chapter 20: Authenticity, Imaginary, and Reality,Part V: The Imaginary is the True Stiftung of Being,Chapter 21: The Imaginary as Introduction to Ontology and then as Fundamental Ontological Model,Chapter 22: An Ungraspable Urstiftung: Being as Dehiscence,Imaginary Flesh, the Mythic and Oneiric Urstiftung,Ungraspable Being and the Ontology of Elements,The Essentially Ontological Dimension of the Husserlian Notion of Depth,Ontology at the “Limit of a Phenomenology of the Imaginary”,Chapter 23: Depth Loves Masks: Being as a Play of Images,Indirect Ontology,Being as a Fraternal Alliance of Dionysian Dismemberment and Apollonian Images,Justification of Husserlian Phenomenology by Merleau-Pontian Ontology,Chapter 24: Conclusion,Bibliography,1. Works by Merleau-Ponty,2. Other Works Cited,Author Index,Subject Index</dc:description>
                
                <dc:type>text</dc:type>

                
                        <dc:creator>Dufourcq, Annabelle</dc:creator>
                    
                        <dc:creator>مرلوپونتی, موریس(Maurice Merleau-Ponty،فیلسوف فرانسوی، از مطرح‌ترین پدیدارشناسان قرن بیستم) , 1908#1961</dc:creator>
                    

                
                        <dc:type>book</dc:type>
                   

                

                

                
                        <dc:identifier>9783031738258</dc:identifier>
                   

                

                

                 

                
                
                

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