بهشت دانته و خاستگاه های الهیاتی اندیشه مدرن: به سوی فلسفه نظری خود بازتابی [کتاب انگلیسی] Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection English Routledge 2021 Table of contents :,Cover,Half Title,Dedication,Series Information,Title Page,Copyright Page,Table of contents,Epigraph,Prologue,Acknowledgments,Introduction: The Theological Apotheosis of Lyric in Dante’s Paradiso,1 Self-Reflexion and Lyricism in the Paradiso,Lyric Poetics of Presence through Self-Reflection in the Paradiso,Narcissus and the Reality of Reflection,Metaphorical Poetics of Invisible Presence,From Formalist Poetics to the Paradise of Poetic Language,2 Orientation to Philosophical Logics and Rhetorics of Self-Reflexivity,3 Self-Reflexive Lyricism and Ineffability,Self-Reflexivity as an Eminent Way of Theological Transcendence,Language of the Other as Reflection of Trinitarian and Incarnational Theology,Part I The Paradiso’s Theology of Language and its Lyric Origins,4 The Self-Reflexive Trinitarian Structure of God and Creation,The Self-Reflective Structure of Language Made Manifest,The Abyss of Godhead and the Self-Reflexive Being of Language,5 Beyond Representation—Origins of Lyric Reflection in Nothing,Troubadour Origins of Lyric Self-Transcendence in Nothing,Social Dimension and Sitz-im-Leben of Troubadour Lyric,Primary Narcissism or the Death Duel of Self with Nothing,6 The Circularity of Song—and its Mystic Upshot,7 Self-Reflexive Fulfillment in Lyric Tradition and its Theological Troping by Dante,8 The Lark Motif and its Echoes,Ontological Resonances of Self-Reflection,9 An Otherness Beyond Objective Representation and Reference,10 The Mother Bird’s Vigil—Canto XXIII and the Lyric Circle,Lyrical Self-Reflexiveness as Foretaste of Paradise,Lyric Self-Reflection and the Creation of Time,11 Ineffability in the Round—and its Breakthrough,Circles of (Self-)Reflection from the Core of Creation to the Trinitarian Godhead,The Broken-Open Circle or Chiasmus,12 The Substance of Creation as Divine Self-Reflection,Self-Reflexivity as Trinitarian and Incarnational,13 Eclipse of Trinity and Incarnation as Models of Transcendence through Self-Reflection,14 Narcissus and his Redemption by Dante,Divine Narcissus,Part II Self-Reflection on the Threshold between the Middle Ages and Modernity,15 Self-Reflective Refoundation of Consciousness in Philosophy,Self-Reflection and the Other,16 From Postmodern to Premodern Critique of Self-Reflection—Egolology versus Theology,17 Self-Reflection in the Turning from Medieval to Modern Epistemology,18 Crisis of Conflicting Worldviews and Duns Scotus,Duns’s Original Concept—Univocal Being,19 Toward the Self-Reflexive Formation of Transcendental Concepts,20 Severance of Theory from Practice, Disentangling of Infinite from Finite, by Transcendental Reflection,21 Scotus’s Discovery of a New Path for Metaphysics—Intensities of Being,22 Scotus’s Formal Distinction,23 The Intensional Object of Onto-theology as Transcendental Science,24 Phenomenological Reduction and the Univocity of Being,25 The Epistemological Turn in the Formal Understanding of Being,26 Signification of the Real and an Autonomous Sphere for Representation,27 Objective Representation—Beyond Naming and Desiring the Divine,The Good as Sought through Will without Intellect—Subjectivity,28 Conceptual Production of “Objective” Being—The Way of Representation,The Paradigm of Representation and Dante’s Alternative Version,29 From Logical (Dis)Analogy to Imaginative Conjecture versus the Forgetting of Being,30 Reflective Repetition Realized in the Supersensible Reality of Willing,31 Fichte’s Absolutization—and Overcoming—of Self-Reflection,Fichte’s Reversal of Reflection into Revelation,From Religious to Poetic Revelation—Novalis, Schlegel, Schelling, Hölderlin, and Hamann,32 From Analogy to Metaphor,Henry of Ghent and Analogical Imagination,Secular and Theological in Dante and Duns,33 Univocity as Ground of the Autonomy of the Secular,34 The Fate of Negative Theology in Scotus,35 Coda on Scotus and Modality,Possible Worlds and Possibility as Greater than Actuality,36 Arabic Epistemology of Reflection of Transcendence,Part III The Origin of Language in Reflection and the Breaking of its Circuits,37 The Tradition of Self-Reflection and Modern Self-Forgetting,Self-Negating and Self-Transcending Self-Reflection,38 The Original Event of Language in Modern Lyric Tradition,The Individual and the Other—A Mirror Relation,39 The New Rhetoric of Reflexivity in Geoffrey de Vinsauf,40 Poetic Self-Referentiality as Creative Source—From Paradiso to les Symbolistes,41 The Paradox of Lyric as Song of the Self—Deflected to the Other,42 Self and Other between Order and Chance—Ambiguity in Lyric Language,43 Language beyond Representation—Repetition and Performativity,From Reference to Repetition—The Production of Presence,From Modern Philosophies of Repetition to Lyric as Non-Identical Repetition,44 Quest for the Origin of Language—From De vulgari eloquentia to the Paradiso,45 Dante’s Recovery of Speculative Metaphysics as Productive,46 Referentially Empty Signs and Semiotic Plenitude,47 Sum—Lyric as Self-Manifestation of Language and its Ontological Power of Creation,Part IV Self-Reflection, Speculation, and Revelation,48 Lacanian Psychoanalytics of Self-love: From the In-fantile to the Divine,49 Formal Linguistic Approaches to Self-Reflexivity,Vindicating the Aesthetic Autonomy of the Linguistic Sign,Social and Theological Perspectives—Language as Fallen and as Resurrected,50 Formalist Theory of the Poem and Agamben’s “La fine del poema”,51 Self-Reflexivity and Self-Transcendence—Toward the Unknown,52 The Ambiguity of Self-Reflection in Contemporary Thought and History,The Ambiguity of Self-Reflection as Means to Self-Transcendence or as End-in-Itself,Critical Wisdom versus Technological Framing,Self-Reflection in the Tension between Science and Mysticism,53 The Historical Turn of Self-Reflection in Vico’s New Science,Dialectic and Coincidence of Secular and Sacred,Reflecting to the Origins of Thinking,Self-Reflective Imagining of the Unknowable: From Vico to Dante,The Unknown and One’s Own Limits,Cyclical Repetition of Birth to Humanity and Barbarism,54 Self-Reflexivity in Paradiso and the Secular Destiny of the West,Gay Science as Immediacy of Self-Reflective Knowing,55 Language as Speculative Mirroring of the Whole of Being in the Word—Gadamer,56 From Philosophical Idealism to Linguistic Ontology,57 Language as Revelation or Revealment,58 Language as Disclosure in Lyric Time—Heidegger, Heraclitus, and Unconcealment,Revelation and Re-Veiling—From Purgatorio XXIX–XXXIII to Paradiso,Part V Dante’s Redemption of Narcissus and the Spiritual Vocation of Poetry as an Exercise in Self-Reflection,59 Lyric Subjectivity and Narcissism—Totalization and Transcendence,Lyric Poetics and Psychoanalytical Subjectification,From Lyric Idealization to Epic Spiritual Journey of Self-Perfection,60 Narcissus Redeemed—Positive Precedents from Plotinus,61 Lyric Self-Reflection and the Subversion of the Proper,62 Lyric Language as Spiritual Knowledge in its Sensual Immediacy—Orphic Echoes,63 The Exaltation of Technique in the Troubadours and in Dante’s Stony Rhymes,64 Lyric Reflexivity in Panoptic Historical-Philosophical Perspective—Troubadours, Christianity, and Romanticism,65 Romantic Singularity as a New Universal Reflexivity,66 Dante’s Narcissus Redeemed—A Perennial Paradigm for Contemporary Thought,Epilogue: Reflexive Stylistics in the Language of Paradiso,Postscript on Method: From Genealogy to Apophatics,Index text Franke, William دانته, آلیگیری (شاعر ایتالیایی، صاحب کتاب کمدی الهی از تاثیر گذارترین متفکران قرون میانه), 1265#1321 م. book 9780367714666